wow I didn’t know fuckin chocolate eggs were gendered
OKAY LET ME TELL YOU A STORY ABOUT THE FUCKING PINK EGGS.
I work at a concession stand in an ice rink. We sell a bunch of chocolate bars and snacks and shit including Kinder Surprise eggs.
So one day this woman comes up to the counter with her two little kids, a girl who’s probably about 6 or 7 and a little boy, maybe 3 or 4. The mom asks what they want, the little girl points at the Kinder eggs and says “One of those!”. I asked if she wanted the white or the pink egg. She said pink. The little boy pointed to the Kinder eggs and says “One of those!”. I asked if he wanted the white or the pink egg. He said pink. HOLY SHIT IT WAS LIKE I OPENED THE GATES OF HELL. The mom absolutely FLIPPED and was like “YOU ARE NOT GETTING THE PINK EGG IT’S ONLY FOR GIRLS. YOU CAN GET THE WHITE ONE OR NOTHING AT ALL”. The little boy looked at his mom and said “But I want the same as ______ (whatever the sister’s name was)”. The mom completely ignored him and turned to me and gave me a death glare. “He can have the white egg.”
I had to give a little boy a white egg when he wanted the pink so that he could be the same as his big sister and he started crying. The mom just reiterated that the pink egg was for girls and told him that boys don’t cry.
And this is why we shouldn’t gender fucking chocolate eggs.
René Magritte, works from the Période vache (1947-1948)
Regarding both their motifs and their style, the works of Magritte’s Période vache do not constitute a consistent ensemble but rather present themselves as a patchwork of different pseudo-styles borrowing more or less openly from other artists and drawing on the artist’s own earlier works. These elements are transformed into something comic, trivial, or grotesque by being blended with aspects of popular visual culture. With numerous art historical references Magritte ridicules traditional cultural values and aesthetic norms and distances himself from an art scene lusting for innovation. Contrary to his “classical” works, their cool, precise and realistic approach, and the conceptual consideration behind them, the works of Magritte’s Période vache strike us as colorful, two-dimensional, quickly painted, and radiating an astounding directness and spontaneity.
With his manifesto-like protest against all varieties of arrogance and reprimands in the arts, Magritte has become a model for the artist’s triumph over the workings of an art scene that seem to be more overpowering today than they ever were. (via)